Brian's favorite white plastisol ink
5 Products
After decades of screen printing and training thousands of printers, one question comes up constantly:
"Brian, what's your favorite white ink?"
The answer:
ICC Unicorn HO LB White.
Not all white plastisol inks behave the same. Some are too thick. Some require excessive pressure. Others lose brightness, create poor hand feel, or become difficult to print during long production runs.
Brian’s favorite white ink checks all the boxes:
Excellent opacity, smooth flow, soft hand characteristics, and dependable production performance.
This is the same white ink Brian recommends during classes, uses in demonstrations, and trusts for professional production work.
✔ Excellent opacity on dark garments
✔ Smooth creamy consistency
✔ Easy to print wet-on-wet
✔ Low bleed formulation
✔ Reduced squeegee pressure requirements
✔ Bright, clean white appearance
✔ Excellent for automatic and manual presses
✔ Great for underbases and standalone whites
✔ Wet-on-Wet Printing
✔ Dark Garments
✔ High Production Shops
✔ Simulated Process Printing
✔ Underbases
✔ Spot Color Printing
✔ Automatic Presses
✔ Manual Presses
White ink often determines whether a print looks professional.
A poor white ink can create:
✖ Excess pressure requirements
✖ Poor opacity
✖ Difficult registration
✖ Excess flashing
✖ Reduced production speed
✖ Unnecessary frustration
A great white ink helps improve production speed, print quality, and consistency.
ICC Unicorn HO LB White is frequently used and discussed throughout Kolormatrix workshops and VIP classes because students need products that perform consistently in real production environments.
Brian teaches techniques that help printers:
✔ Print smoother whites
✔ Improve wet-on-wet performance
✔ Reduce flashing
✔ Increase opacity
✔ Improve production efficiency
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Real products. Real production. Real recommendations.
Not just another white ink — the one Brian trusts most.